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Bluebeard, murderous husband in the story “La Barbe bleue,” in Charles Perrault’s collection of fairy tales, Contes de ma mère l’oye (1697; Tales of Mother Goose). In the tale, Bluebeard is a wealthy man of rank who, soon after his marriage, goes away, leaving his wife the keys to all the doors in his castle but forbidding her to open one of them. She disobeys and finds in the locked room the bodies of his former wives. On his return, Bluebeard discovers on one of the keys a telltale spot of blood and threatens to cut off her head as a punishment for disobedience. The wife is saved by her brothers just as Bluebeard is about to strike the final blow.
Similar stories exist in European, African, and Eastern folklore; the essentials are the locked and forbidden room, the wife’s curiosity, and her 11th-hour rescue. Perrault’s version probably derived from Brittany and may have been based on the career of the 15th-century marshal of France Gilles de Rais and that of Comorre the Cursed, a 6th-century Breton chief, each of whom committed crimes similar to those in the Bluebeard stories. In an Estonian version, the wife is rescued by a gooseherd (or a page), a childhood friend who slays her husband and marries her. In the story “Fitcher’s Bird” in Grimm’s Fairy Tales (1812–15), three sisters are the intended victims. The identification in some stories of Bluebeard with the Devil and of the locked door as the gate of hell are probably later additions. Andrew Lang’s translation (1888) of Perrault’s Contes includes a close comparison with other folktales and details of the careers of Gilles de Rais and Comorre.
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Charles Perrault, French poet, prose writer, and storyteller, a leading member of the Académie Fran?aise, who played a prominent part in a literary controversy known as the quarrel of the Ancients and Moderns. He is best remembered for his collection…